The Unyielding Spirit of Indigenous Women in Film

Marie Clements’ latest feature, “How We Stand,” is a poignant reminder that the struggles faced by Indigenous women are not relics of the past but an ongoing fight for justice and equality. As the world premiere approaches at the Toronto International Festival, it’s essential to examine the broader implications of Clements’ work and its relevance to contemporary society.

Clements’ oeuvre consistently explores the intersectionality of Indigenous identity and feminism, evident in her earlier stage play “Tombs of the Vanishing Indian.” This adaptation, now a feature film, examines the lives of three young Oklahoma sisters and their mother as they navigate relocation programs, family separation, and cultural identity. By casting Indigenous women in leading roles, Clements shines a light on their vibrancy and resilience.

The documentary series “Reclaim My Skin” also explores this theme, showcasing the power of Indigenous women’s stories to bring about change. The series focuses on personal narratives and community activism, providing a powerful counterpoint to more polished, Hollywood-style productions that often tokenize Native American characters. Clements’ collaboration with Gloria Steinem on “Reclaim My Skin” highlights the potential for cross-cultural understanding and solidarity between Indigenous women and feminist icons.

In an exclusive interview, Steinem noted, “We have more in common than what works to divide us.” This sentiment is reflected in the respectful dialogue between Clements and Steinem, who listened to each other’s perspectives without speaking over one another. Their collaboration serves as a testament to the importance of creating spaces for meaningful exchange.

Clements’ work also serves as a warning about the ongoing struggles faced by Indigenous communities. The film’s portrayal of family separation and forced relocation is a harsh reminder that these issues are not relics of the past but an ongoing reality for many Native American families today. Recent policies targeting immigrant families and separating children from their parents echo the historical trauma inflicted upon Indigenous peoples.

Clements’ personal experiences as a filmmaker, including her time researching at the Autry National Center in Los Angeles, have undoubtedly informed her work. Her observations about “underground” spaces where Indigenous people gathered to connect with one another serve as a poignant reminder of the importance of community and cultural preservation.

As we watch “How We Stand,” it’s essential to consider the broader implications of Clements’ work. This film is not simply a historical drama but a call to action, urging us to confront systemic injustices that have been perpetuated against Indigenous communities for centuries. By amplifying the voices and stories of these women, Clements challenges us to reexamine our own complicity in these systems of oppression.

The unyielding spirit of Indigenous women is on full display in “How We Stand.” Their unwavering commitment to justice, equality, and self-determination serves as a powerful reminder that their struggles are not relics of the past but an ongoing fight for a better future.